Group show, La libert\u00e9 sans nom<\/em>, CRAC Alsace, Altkirch
Curated by Elfi Turpin
October 16, 2016 \u2013 January 15, 2017<\/p>\n
Huecos & Indigo<\/em>, 2015-2016 \/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n\n\n \/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n In the late 1960s, in the space-time void of the C\u00e9vennes region, French poet and pedagogue Fernand Deligny established a territory for autistic children and their speaking carers. In doing so he set up the context for hitherto unheard of events through the interweaving of unpremeditated relationships between all concerned. \u00a0<\/p>\n In order to observe and grasp this process, Deligny used as recording tools not only film, but also drawing; the latter enabled the mapping onto this territory of the trajectories, acts and spatial displacements of the mute subjects and their speaking educators. These maps, known as the Lignes d\u2019erre du r\u00e9seau des C\u00e9vennes (the C\u00e9vennes Network Wander Lines), built a way of seeing on strata of silent, invisible relationships, instead of traversing them blindly. The point was to avoid misunderstandings and to enter the children’s field of vision in a way that enabled a communal life outside of language.<\/p>\n Deligny’s original contribution was “to do without doing”: to make possible \u2013 with no prior suppositions, imaginings or ideations \u2013 modes of being conducive to the surfacing of reality. A tricky matter which, over and above experimental education and alternative experiences of transmission, bears directly on this exhibition: one intended to be free, and devoid of presupposition, and to this end convening artists who themselves also tend to bring an unimaginable reality to the surface.<\/p>\n What goes on in an exhibition? What goes on between its inhabitants? Between the artists, the works, the curators, the carers, and the visitors with their myriad language registers? How to avoid crushing its developing, invisible relationships? How to avoid ploughing blindly through an exhibition? How to enter the field of vision of the works? How to live outside of language?<\/p>\n Elfi Turpin, September 2016.<\/p>\n * La libert\u00e9 sans nom (Nameless Freedom) is the title of an essay in Fernand Deligny, L\u2019Arachn\u00e9en et autres textes (Paris: Editions L\u2019Arachn\u00e9en, 2008).<\/p>\n \u00a0<\/p>\n ….<\/p>\n \u00a0<\/p>","protected":false},"excerpt":{"rendered":" 2016 CRAC ALSACE Installation viewsGroup show, La libert\u00e9 sans nom, CRAC Alsace, AltkirchCurated by Elfi TurpinOctober 16, 2016 \u2013 January 15, 2017 Huecos & Indigo, 2015-2016Fabric, thread, hand embroidered cotton yarn and metallic structureDimensions variable(Installation views with work by Johanna Unzueta) \/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/ \/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/ In the late 1960s, in the space-time void of the C\u00e9vennes region, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[7,24],"tags":[],"class_list":["post-2023","post","type-post","status-publish","format-standard","hentry","category-exposiciones","category-exposiciones-azul"],"_links":{"self":[{"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/posts\/2023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/comments?post=2023"}],"version-history":[{"count":12,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/posts\/2023\/revisions"}],"predecessor-version":[{"id":5469,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/posts\/2023\/revisions\/5469"}],"wp:attachment":[{"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/media?parent=2023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/categories?post=2023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/tags?post=2023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Fabric, thread, hand embroidered cotton yarn and metallic structure
Dimensions variable
(Installation views with work by Johanna Unzueta)<\/p>\n![\"\"](\"http:\/\/felipemujica.info\/wp-content\/uploads\/CRAC-A2016-La-ve\u0301rite\u0301-sans-nom-039-1500x1001.jpg\")
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