{"id":3905,"date":"2020-03-21T20:40:20","date_gmt":"2020-03-21T20:40:20","guid":{"rendered":"http:\/\/felipemujica.info\/en\/?p=3905"},"modified":"2025-05-13T19:43:36","modified_gmt":"2025-05-13T17:43:36","slug":"textos-verde","status":"publish","type":"post","link":"https:\/\/felipemujica.info\/en\/textos-verde\/","title":{"rendered":"Textos \/ verde"},"content":{"rendered":"

BIBLIOGRAPHY<\/p>\n

\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\<\/p>\n\n\n

2022 CAROLINA ARE\u0301VALO \/ ELEMENTALES LI\u0301NEAS BORDADAS<\/a><\/div>\n\n\n\n
2022 CAROLINA ARE\u0301VALO \/ ELEMENTAL EMBROIDERED LINES<\/a><\/div>\n\n\n\n
2022 SOF\u00cdA OLSACOAGA \/ DI\u00c1LOGO <> JOGO<\/a><\/div>\n\n\n\n
2022 SOF\u00cdA OLSACOAGA \/ DIALOGUE <> JOGO<\/a><\/div>\n\n\n\n
2022 DURATE BLAIS-BILLIE \/ EL ARTE COLABORATIVO: REPERCUSIONES SOCIALES Y LIMITACIONES<\/a><\/div>\n\n\n\n
2022 DURANTE BLAIS-BILLIE \/ COLLABORATIVE ART: SOCIAL IMPACTS AND LIMITATIONS<\/a><\/div>\n\n\n\n
2022 JOS\u00c9 LUIS FALCONI\/ PARED(ES) CORTINA(S) \u2013 EN TORNO A LAS INSTALACIONES DE FELIPE MUJICA <\/a><\/div>\n\n\n\n
2022 JOS\u00c9 LUIS FALCONI \/ CURTAIN WALL(S) \u2013 ON FELIPE MUJICA’S INSTALLATIONS<\/a><\/div>\n\n\n\n
2020 VALERIE SMITH \/ IN SEARCH OF LABOR OR WHAT’S LABOR GOT TO DO WITH IT? OR LABOR OF LOVE<\/a><\/div>\n\n\n\n
2020 JAVIER TELLEZ \/ THE WEB OF LIFE<\/a><\/div>\n\n\n\n
2019 DANIEL GARZA USUBIAGA \/ ALL TOMORROW’S PARTIES<\/a><\/div>\n\n\n\n
2018 EMILIANO VALD\u00c9S \/ WE ARE MORE UNITED TO THE INVISIBLE THAN TO THE VISIBLE <\/a><\/div>\n\n\n\n
2018 EMILIANO VALD\u00c9S \/ ESTAMOS M\u00c1S UNIDOS A LO INVISIBLE QUE A LO VISIBLE<\/a><\/div>\n\n\n\n
2018 GALER\u00cdA GABRIELA MISTRAL \/ CATALOGO<\/a><\/div>\n\n\n\n
2018 MAR\u00cdA BERR\u00cdOS \/ DANCE FOR FOUR RHOMBUSES AND A YELLOW TRIANGLE <\/a><\/div>\n\n\n\n
2018 JOE VILLABLANCA \/ APPLES OF IRON<\/a><\/div>\n\n\n\n
2017 OLIVIA ARDUI \/ SOMBRAS IMAGIN\u00c1RIAS OU A TENTATIVA DE RESSIGNIFICAR A NOSTALGIA<\/a><\/div>\n\n\n\n
2017 OLIVIA ARDUI \/ SOMBRAS IMAGINARIAS O LA TENTATIVA DE RESINIFICAR LA NOSTALGIA<\/a><\/div>\n\n\n\n
2016 LIZ MUNSELL \/ EMBODIED ABSENCE, CHILEAN ART OF THE 70’s NOW<\/a><\/div>\n\n\n\n
2016 32a BIENAL DE S\u00c3O PAULO \/ MATERIAL EDUCATIVO<\/a><\/div>\n\n\n\n
2015 GABRIELA MARTINEZ \/ ENTRE EL “GREEN CUBE” Y EL “DIRTY CUBE”. FELIPE MUJICA Y JOHANNA UNZUETA EN GUATEMALA<\/a><\/div>\n\n\n\n
2015 NIDO O \u00c1TOMO. HE AQUI LA ESTRELLA \/ DIE ECKE ARTE CONTEMPORANEO \/ CATALOGO (SPANISH-ENGLISH)<\/a><\/div>\n\n\n\n
2015 CRIST\u00d3BAL LEHYT \/ A REHEARSAL<\/a><\/div>\n\n\n\n
2014 MANUELA MOSCOSO & OLIVIA ARDUI \/ CAT\u00c1LOGO 12 BIENAL DE CUENCA<\/a><\/div>\n\n\n\n
2013 KRISTIN KOROLOWICZ \/ ARQUITECTURA Y AMISTAD<\/a><\/div>\n\n\n\n
2013 EMILIANO VALD\u00c9S \/ ARQUITECTURA Y AMISTAD<\/a><\/div>\n\n\n\n
2012 JULIETA GONZ\u00c1LEZ \/ PARQUE INDUSTRIAL<\/a><\/div>\n\n\n\n
2011 LUISA FUENTES GAUZA \/ USTEDES NOSOTROS <\/a><\/div>\n\n\n\n
2011 CRIST\u00d3BAL LEHYT \/ COLONIA COMO MODELO DE ARTE CR\u00cdTICO<\/a><\/div>\n\n\n\n
2010 MICHELE FAGUET \/ NUNCA USAR LA PALABRA ‘YO’ SALVO EN CARTAS<\/a><\/div>\n\n\n\n
2010 MICHELE FAGUET \/ NEVER USE THE WORD “I” EXCEPT IN LETTERS<\/a><\/div>\n\n\n\n
2008 GUANGZHOU TRIENNIAL \/ CATALOGUE<\/a><\/div>\n\n\n\n
2007 PAZMAKER<\/a><\/div>\n\n\n\n
2001 PAINTING ZERO DEGREE \/ CATALOGUE<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

BIBLIOGRAPHY \\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\-\\<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[50,35],"tags":[],"class_list":["post-3905","post","type-post","status-publish","format-standard","hentry","category-textos-verde","category-textos"],"_links":{"self":[{"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/posts\/3905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/comments?post=3905"}],"version-history":[{"count":44,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/posts\/3905\/revisions"}],"predecessor-version":[{"id":11837,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/posts\/3905\/revisions\/11837"}],"wp:attachment":[{"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/media?parent=3905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/categories?post=3905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/tags?post=3905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}