{"id":4267,"date":"2020-03-23T14:05:25","date_gmt":"2020-03-23T14:05:25","guid":{"rendered":"http:\/\/felipemujica.info\/en\/?p=4267"},"modified":"2020-05-24T03:18:16","modified_gmt":"2020-05-24T02:18:16","slug":"1997-2005-galeria-chilena-2","status":"publish","type":"post","link":"https:\/\/felipemujica.info\/en\/1997-2005-galeria-chilena-2\/","title":{"rendered":"1997-2005 Galeria Chilena"},"content":{"rendered":"

1997 – 2005 GALER\u00cdA CHILENA<\/p>\n

In December 1997 Diego Fern\u00e1ndez, Felipe Mujica, and Jos\u00e9 Luis Villablanca, found the artist-run space <\/span>Galer\u00eda Chilena <\/span><\/em>(GCH), which was first a nomadic and commercial art gallery that later become a collaborative art project, a curatorial \u201cexperiment\u201d. Between 1997 and 2000 GCH organized exhibitions, talks, parties, concerts, and auctions in Santiago, Chile. It promoted the work of young artists while testing the possibilities of working in a lack of physical space in the years of transitional democracy and macroeconomic wealth. Its events took place in commercial locations provided directly by real estate agents with ‘cultural visibility trade’ or diplomatic maneuvers within an entrepreneurial disguise. The nomadic strategy of GCH was intended as a critique and expansion of Santiago’s contemporary art circuit, which in the late 90s was composed of either traditional commercial galleries or government-funded non-profit spaces. From 2000 to 2005 GCH \u0301s mobility and economy moved away from the framework of the gallery to a collaborative structure of experimentation and encounter; a non-place for discussion and joining forces. <\/span><\/p>\n

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IMAGES GALER\u00edA CHILENA 1997 – 2000 >>><\/p>\n\n\n