{"id":9060,"date":"2022-08-15T02:13:36","date_gmt":"2022-08-15T01:13:36","guid":{"rendered":"http:\/\/felipemujica.info\/en\/?p=9060"},"modified":"2025-09-15T21:47:46","modified_gmt":"2025-09-15T19:47:46","slug":"2022-mavi-uc","status":"publish","type":"post","link":"https:\/\/felipemujica.info\/en\/2022-mavi-uc\/","title":{"rendered":"2022 MAVI UC"},"content":{"rendered":"\n

2022 MAVI UC<\/p>\n\n\n\n

Installation views, embroidery workshop, and opening of \u00bfEn qu\u00e9 estabas pensando, en el pasado o en el futuro?<\/em>
Solo show, MAVI UC, Santiago de Chile
August 11 – November 6, 2022<\/p>\n\n\n\n

Embroidery and production workshop at Galer\u00eda 420 \/ Fundaci\u00f3n Mustakis, Santiago de Chile, in collaboration with Fundaci\u00f3n Arte Actual, Santiago de Chile
Workshop made with the assistance of Myriam Luz D\u00edaz and Carolina Urz\u00faa
July 4 – August 3, 2022<\/p>\n\n\n\n

Photo credits> Installation views: Jorge Brantmayer and Felipe Mujica \/ Workshop: Felipe Mujica and Carolina Urz\u00faa \/ Opening: Daniela Salinas<\/p>\n\n\n\n

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I-<\/p>\n\n\n\n

Curtains is a body of textile work that Felipe Mujica began sixteen years ago, always with the assistance of seamstresses and embroiderers. Initially, the projects were small or medium scale, so they were produced in the artist’s house or in the manufacturer’s house, in a domestic space. With the passing of time, the scale increased and so the working method grew: collaboration and learning were forged as situations of knowledge exchange.<\/p>\n\n\n\n

The common thread and starting point of each project is geometric abstraction, projecting and extrapolating the formal towards the social, drawing towards space, and concrete towards the soft. The curtains are temporary and permeable architecture, they are interactive both with the public and with the space itself, turning slightly with the air circulation, always in movement, and always open to receiving information and sharing it. Each curtain is literally and metaphorically a surface where different kinds of knowledge and interests meet, dialogue, and collide, creating something new that both sides could not have achieved on their own. The suspended curtains rearticulate the space and install us\u2013as bodies, as observers\u2013within the three-dimensional composition of planes and lines in space.<\/p>\n\n\n\n

The Curtains exhibited here were manufactured during July at Gallery 420 \/ Mustakis Foundation, in Recoleta, in the context of an open embroidery and work production workshop. The community workspace was also a meeting point between people with different levels of textile experience, between residents of Recoleta and people from other districts, of different ages and socioeconomic situations, with diverse life experiences. The workshop sought to be a process of horizontal production, collective work, and self-education; with participants guiding each other, expanding and extrapolating embroidery to a new scale.<\/p>\n\n\n\n

The embroidery workshop had two levels of difficulty: chain stitch for beginners and Smock or \u201cNido de abeja\u201d stitch for experienced ones. In charge of teaching this last technique was Myriam Luz D\u00edaz, an embroiderer from Huechuraba \u2013 a neighborhood branch that emerged from the Conchal\u00ed embroiderers \u2013 whose family has been dedicated to embroidery and making traditional dresses since 1980. With the assistance of her sisters Ximena and Ana Mar\u00eda, part of the exhibited work was fabricated at home, and with these two gestures, the workshop, and family-business work, Mujica seeks to incorporate this specific tradition and economy from the north of Santiago into the Cortinas project.<\/p>\n\n\n\n

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II-<\/p>\n\n\n\n

List of participants of the embroidery and production workshop at Galer\u00eda 420, Fundaci\u00f3n Mustakis: Ignacia Nu\u00f1ez, Patricio Mano de chef, Victoria Lemus, Carmen Rojas, Rosa Bravo, Violeta Riveros, Silvia Vargas, Magali Oliva, Yolanda Saur\u00e9, Mercedes Carrera, Beatriz Salinas, Rosana Aguirre, Brika Olivos, Patricia Hormazabal, Carmen Julia Torres, Gloria Gutierrez, Carolina Nu\u00f1ez, Natalia Hurtado, Barbara Rodriguez, Eugenio G\u00f3mez, Carolina Urz\u00faa, Rosa Ruiz, Romina Bello, Virginia Donoso, Magdalena Mu\u00f1oz, Silvana M\u00e1rquez, Elena Nu\u00f1ez, Mar\u00eda Eugenia Cano, Amanada Nadeau, Magdalena Araya, Valentina Nadeau, Ema Mujica, Sofia Pucher, Angelica Gellona, Bruno Matus, Daniela Salinas, Jacqueline Gajardo, Jessica Tirado, Mar\u00eda Virginia Pumao, Antonia Monreal, Exmelina D\u00edaz, Ximena Gallardo, Nolbis Nu\u00f1ez, Magdalena Nu\u00f1ez, Pedro Albertini, Alicia Ca\u00f1ete, Valeria Avalos, Claudio P\u00e9rez, Fernanda Pardo, Manuel Rojo, Amanda Rojo, Paz Gonz\u00e1lez, Paola Fern\u00e1ndez, Mayerli Salvo, Mateo Salvo, Sofia Bucher, Florencia Izquierdo, Jeanpiere Araya, Mat\u00edas Bustamante, Davis Torres, Fernando Bustamante, Amiyana Silva, Jazm\u00edn Torres, Neymar Huaino, Neidar Torres, Leonardo Torres, Jean Paul Shapiano, Cristel Ortega, Ignacia Arce, Maite Arce, Elyan Ortega, Fabio Ossand\u00f3n, Isidora Lucero, Victor Manriquez, Thomas Quiroga, Alondra Shapiano, Mar\u00eda Ignacia Piallet, Amelia Pastene, Trinidad Quintanilla, Rafael Nu\u00f1ez, Milan Alagao, Romina Millar, Agustina Paulsen, Flora Vilches, Mateo Alarc\u00f3n, Patricia Ruiz, Carolina Mayer, Florencia Varela, Lorenzo Galindo, Ricardo Veliz, Patricia Fern\u00e1ndez, Yolanda Cornejo, Emelina D\u00edaz, Rosita Ruiz, Carolina Wilson, Benedicta Silva, Cristian Guevara, Alejandro Tagnarelli, Gloria Palma, Patricio Hermosilla, Mara Faundez, Cristian Guevara, Lourdes Candia, Vicenta Larra\u00edn, Rocio Inostroza, Josh Silva, Ignacio Navarrete, Clara Fermandois, Juany Olave, Nico Depontet, Analya C\u00e9spedes, Francisca Prat, Camila Bianchi, Mar\u00eda Ferrer, Mayte Izquierdo, Carolina Ar\u00e9valo, Josefina Mendez, Bernardita Ovalle, Catalina Korze, Rosa Maria Castillo, Patricio Carvallo, and Camila Ba\u00f1ados.<\/p>\n\n\n\n

Special thanks to the team that helped make this project possible: Myriam Luz Diaz, Carolina Urz\u00faa, and Camila Mar\u00edn.<\/p>\n\n\n\n

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….<\/p>\n","protected":false},"excerpt":{"rendered":"

2022 MAVI UC Installation views, embroidery workshop, and opening of \u00bfEn qu\u00e9 estabas pensando, en el pasado o en el futuro?Solo show, MAVI UC, Santiago de ChileAugust 11 – November 6, 2022 Embroidery and production workshop at Galer\u00eda 420 \/ Fundaci\u00f3n Mustakis, Santiago de Chile, in collaboration with Fundaci\u00f3n Arte Actual, Santiago de Chile Workshop […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-9060","post","type-post","status-publish","format-standard","hentry","category-exposiciones"],"_links":{"self":[{"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/posts\/9060","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/comments?post=9060"}],"version-history":[{"count":17,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/posts\/9060\/revisions"}],"predecessor-version":[{"id":12036,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/posts\/9060\/revisions\/12036"}],"wp:attachment":[{"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/media?parent=9060"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/categories?post=9060"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/felipemujica.info\/en\/wp-json\/wp\/v2\/tags?post=9060"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}