Group show, Contaminaciones contempor\u00e1neas, Museu de Arte Contempor\u00e2nea de la Universidade de S\u00e3o Paulo
Organized by Paul Brike \/ Die Ecke Arte Contempor\u00e1neo
October 21, 2010 \u2013 March 27, 2011<\/p>\n\n\n\n
\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n\n\n\n For and Against<\/em> consists of a series of geometric-based mural paintings that spread through different exhibitions cohabiting and interacting with other artworks and simultaneously activating space, aiming to transform the exhibition in a “total work”. These works are planned considering architecture and dimensions of space, the distribution of other works, and the historical and social place that modernism has in Latin America. These mural paintings behave as positive and negative forces, promoting exchange, encounters, and interferences. Contaminating space. A previous version of this piece took place at a group show at Trust Projects, New York (2008). <\/p>\n\n\n\n Por pintar la libertad de colores<\/em> II<\/em> is a digital video \u201cslide projection\u201d with computer renderings made from photographs of an art incident taken from The Internet. During the 2008 S\u00e3o Paulo Biennial (curated by Ivo Mesquita and Ana Paula Cohen), as a form of protest, a group of graffiti youngsters invaded a section of the exhibition space that was purposely left empty. They sprayed walls and windows with Picha\u00e7\u00e3o<\/em>, vandalizing space yet more important vandalizing the institutional critique originated by the curatorial team of the Biennial curators \u2013 which had been going through some complex financial and structural problems due to the economic crisis in Brazil. The intention with this piece was to showcase that specific moment of contamination and shift its marginality back into the institution. <\/p>\n\n\n\n A previous version of this work was made in Rio de Janeiro in 2007 during a residency at Capacete, and later exhibited in A Gentil Carioca. On that occasion, the drawings were 11 adhesive-vinyl on tin sheets made from graffiti found on the streets of Rio and political mural paintings from Chile found on the Internet.<\/p>\n\n\n\n \/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n\n\n\n <\/p>\n\n\n\n ….<\/p>\n","protected":false},"excerpt":{"rendered":" 2010 MUSEU DE ARTE CONTEMPOR\u00c2NEA DE LA UNIVERSIDADE DE S\u00c3O PAULO Installation views, For and Against and Por pintar la libertad de colores IIGroup show, Contaminaciones contempor\u00e1neas, Museu de Arte Contempor\u00e2nea de la Universidade de S\u00e3o PauloOrganized by Paul Brike \/ Die Ecke Arte Contempor\u00e1neoOctober 21, 2010 \u2013 March 27, 2011 \/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/ For and Against consists of a series […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-6819","post","type-post","status-publish","format-standard","hentry","category-exposiciones"],"_links":{"self":[{"href":"https:\/\/felipemujica.info\/es\/wp-json\/wp\/v2\/posts\/6819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/felipemujica.info\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/felipemujica.info\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/felipemujica.info\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/felipemujica.info\/es\/wp-json\/wp\/v2\/comments?post=6819"}],"version-history":[{"count":23,"href":"https:\/\/felipemujica.info\/es\/wp-json\/wp\/v2\/posts\/6819\/revisions"}],"predecessor-version":[{"id":9448,"href":"https:\/\/felipemujica.info\/es\/wp-json\/wp\/v2\/posts\/6819\/revisions\/9448"}],"wp:attachment":[{"href":"https:\/\/felipemujica.info\/es\/wp-json\/wp\/v2\/media?parent=6819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/felipemujica.info\/es\/wp-json\/wp\/v2\/categories?post=6819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/felipemujica.info\/es\/wp-json\/wp\/v2\/tags?post=6819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"http:\/\/felipemujica.info\/wp-content\/uploads\/IMG_2117-1500x989.jpg\")
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